Brandymore Castle

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noreply@blogger.com (Steve Knoblock) — Thu, 25 Mar 2010 18:52:00 +0000

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Twitter and Facebook

noreply@blogger.com (Steve Knoblock) — Tue, 02 Mar 2010 18:11:00 +0000

When I went to Twitter today, it displayed a dialog

We were hoping you could help us make it easier for people to discover
their friends and colleagues on Twitter. Review your settings below to
make sure the people you care about can easily find you.

asking me to update my name, bio, location and email fields.

This suggests that both Twitter and Facebook are insecure about each other, seeing strengths in the other and weaknesses in their own service. Twitter feels threatened by Facebook's focus on a true circle of friends and colleagues. Facebook feels threatened by Twitter's capacity for marketing and building followers in public.

It suggests they may eventually become very similar in the features they offer, with Twitter integrating photos, video, circles of friends and Facebook making their content more public (which they are doing). Perhaps both sites will give users more control about who can see what content.

Irons in the Fire

noreply@blogger.com (Steve Knoblock) — Tue, 05 Jan 2010 23:57:00 +0000

The blacksmith knows, when you have too many irons in the fire, the iron you leave in the fire will burn before you have time to hammer the iron you're working on. The expression 'having too many irons in the fire' comes from blacksmithing and stands for having too many tasks competing for your attention. I just realized how accurately it describes being overwhelmed by stressful commitments.

The trouble is, in life, we often need to put several irons in the fire. For example, you may need to go back to school for continuing education, but you can't go right away, so you make plans, you make an appointment for the required tests and schedule of classes, you anticipate months of class work. This one task, going back to school, becomes an 'iron in the fire.'

While you're anticipating going back to school, other things will come up, daily life, a new person, a new project, but all the worries of going back to school will still be on your mind. As life goes on, we collect more tasks and responsibilities that stretch out over time or will need to be done in the future, along with the task's we've already begun. Each becomes an iron in the fire, until we are overwhelmed by anticipation.

The irons, the things we need to do, but can't do right away but must eventually complete, the things we start but can't or won't finish, build up in the fire until we become overwhelmed, knowing we will have to abandon some of the irons to burn or abandon the iron we're working on.

Blacksmiths have a way of dealing with too many irons in the fire. They keep some of the irons out of the fire until they are ready, until they've hammered the irons they're working on. Maybe there is some way in life to keep some of those irons beside the fire, waiting, until the ones you're hammering are done, and the ones in the fire are ready. I'm going to try to mentally pigeonhole those tasks and responsibilities, setting them down beside the fire, but out of it, waiting their turn.

By the way, I've learned (to my surprise, since it is such a traditional, low technology craft), blacksmithing is an art that can teach us a lot of important lessons. It teaches that some things can only be learned through experience. Getting good at smithing requires using the hammer. It requires creating a muscle memory of simple moves, before you can make more complicated or sophisticated ones. It requires building up sufficient muscles before you can wield the hammer effectively. It is impossible to become a blacksmith just by being an educated person and following a series of instructions in a book cold turkey, at least not without going through the actual practice of making things. Blacksmithing, is a lot like Zen, it requires practice to realize.

I don't mean the kind of practice your piano teacher had you do as a child, although that is related, but the kind practice that means actually doing something, not as a study, but as a reality. You could purposefully make simple things to teach and strengthen your muscles, but the point is that you have to do it in order to learn it, to realize it, to gain the benefits of it. Talk won't get you there. Reading won't get you there. Knowing won't get you there.

Twitter and A Flock of Seagulls, Publishing in a Networked World

noreply@blogger.com (Steve Knoblock) — Tue, 05 Jan 2010 21:25:00 +0000

I'm not going to name the site that got me starting writing this post. Its a sentiment I've seen on many sites with a traditional publishing orientation. They follow the old tradition from the age of print, where all submitted works are required to be "not published elsewhere," requiring "first print" rights and demanding every "reprint" (copy) should cite the publisher as place of first publication (what is this, vanity?).

These guidelines ignore the reality of the new age of immediacy, of information abundance, of venue abundance, the network. There is no scarcity in publication, there is no value in "first publication" or artificial scarcity on the network. The document is the conversation the conversation is the document. The old publishing world is gone, stop trying to hang on.

The attitude simply does not fit with a universe of networked information being shared and reshared by millions of people, winding its way in bits and pieces and fits and starts through the social network of friends, family, colleagues. The network is the world of social publishing.

Why? Because it is to difficult to find works online among billions of documents and uncounted trillions of ever expanding words. You just can search for things you do not know exist. The social network trades in attention, which is necessary to discover what exists, through your social contacts.

It just does not make sense to "publish" a work to a certain location (or a physical book), then try to get everyone to come read it through clever marketing. It makes no sense to prevent copying, since copies are the method by which information spreads through a social network. The idea of scarcity and exclusivity makes no sense at all in a socially networked world, unless by exclusive you mean being friends with the author.

The network, by the way, does not really need to worry about this issue of citation, since there is usually a trail back to the original author, through a 'retweet path' (if dutifully or automatically maintained) or through carrying authorship information with the work through the social network (as I've talked about here before).

As a poet, nearly every poem I write is immediately published to the social network, so I can't give anyone "first rights" to it, and moreover, that is meaningless. I noticed the Haiku Society of America states, at least for some submissions, " The appearance of poems in online discussion lists or personal Web sites is not considered publication." a much more adaptive policy.

What happens on Twitter is more like a flock of seagulls, making all references to publication, first publication, second publication utterly meaningless, as we tweet to others and they tweet back at us, retweeting and retweeting. I suppose the next thing, is they will want "first tweet" rights. I understand the goal is to keep your publication fresh, but that simply does not fit reality. It says something about a publishing world where the consumer needs to be reassured they are not being "cheated" by recieving old goods, which are turned over from elsewhere, similar to the way "shovelware" became a problem in the 1990s CDROM publishing era. I suppose the same problem exists with bloggers, twitterers, who merely repeat what others write, but I just don't see the problem. In a network world it costs nothing to unfollow or unfriend a source.

noreply@blogger.com (Steve Knoblock) — Mon, 04 Jan 2010 01:09:00 +0000

"Tyler Cowen: I don't think it's a useful description to say autistics are only focused on on thing, but I would say there's a lot of tasks you can give autistics, like picking out small details in locked patterns, or picking out different musical pitches, where autistics seem especially good at attention to small detail. So if you think of the web as giving us small bits, like a tweet or a blog post is shorter than a novel, if you think of that as the overall trend, like an iPod, a song is shorter than an album. It seems that we're now all living in a world where we manipulate small bits effectively, it doesn't mean any of us is just interested in one thing, but we manipulate these small bits to create bigger ideas that we're interested in, and those bigger ideas are synthetic, and I think it's another way in which we are using information technology to mirror or mimic capabilities of autistics without usually people knowing it. "

http://www.wrongplanet.net/article380.html

This is what I suspected when I envisioned Strands in the late 90s, before Twitter existed. That shortening the length of information might be another instance of the medium being the message, that it might broaden the number of people writing by lowering the barrier (less memory, organization required to write), and that there might be some way of using the "many small pieces loosely joined" to create some kind of better, large paradigm of writing than the book. And perhaps we could give to writing the same kind of flexibility we give to data in relational databases, for combining, recombining in novel ways, mining and analyzing.

What if we could create a Twitter Query Language? Enabling virtual documents consisting of projections and selections of real time status streams?

A can of snakes and haiku

noreply@blogger.com (Steve Knoblock) — Mon, 14 Dec 2009 16:15:00 +0000

The Zen master Dogen says we ought "to be actualized by myriad things." I take this to suggest sympathy with the haiku and its process of creating, a poetic form centered on paying attention to things, allowing something to become 'ensouled' or noticed, and thus actualized. The haiku form it itself, has as its purpose to actualize things. For haiku does not exist to tell you about the poet's experience, but to recreate the poet's experience in you. Simply, a haiku is a "canned" actualization, like those joke cans of snakes, where when the hapless victim opens the can, a fake snake jumps out. It is as if the poet saw a snake, then made the joke can and gave it to you as a way of experiencing the fright he felt upon first seeing the snake.

(Who was Dogen? He was a thirteenth-century Japanese Zen master, and the quote is from a well-known passage from Genjo-koan).

Visualization, Flickr and Look Magazine

noreply@blogger.com (Steve Knoblock) — Thu, 19 Nov 2009 23:54:00 +0000

I was thinking recently about the emergence of visualization as an important trend. Visualization is gaining mindshare rapidly among academics and information technology people. The overwhelming volume of data on the network is prompting this interest in visualization as way coping with this emergent, crushing tidal wave of data. There are billions of digital photographs online. I remember when I could see nearly every historic photograph with online access in week. There are trillions of texts and billions of images. The only way to make sense of this data, the only way to organize and explore this data, may very well be through visualization.

Visualization is not photographs or illustrations. It is making data visible. Numbers, statistics, metadata, information about texts or images, the activity of users, authors, creators, contributors, visitors, etc. It is using visual means to make this kind of statistical data and the architecture of information visible and comprehensible.

I like to think about how to organize and present images and text. I was thinking about visualization in comparison to the way magazines organized text and images. In the heyday of the photographic magazines, the images were the most important thing, so they were printed large and allowed to run freely through margins to the borders of the paper. The texts were small captions. This was an ideal, expressive and easy to comprehend presentation (note that presentation is not visualization). It allowed photo editors to engage in the creation of visual narrative, through the juxtaposition of images. Using montage and arrangement on the page, the editor could create a mood or a story. Although text was secondary, it is essential to understanding the meaning of the content in the images. A photograph is just a jumble of meaningless or misleading objects without context.

It occurred to me, that if a way could be found to tie the presentation of the photo magazine (Life, Look, etc.) to the idea of visualization, it could create a powerful new kind of experience. What if the presentation of pictures and text could be as satisfying and transparent as that of the picture magazines, but the mass of data the pictures and text are drawn from, from a collaborative photo and text site (Flickr, for example), could be exposed and explored through visualization? How could these two elements be combined?

Koans, Cavaliers and Facebook

noreply@blogger.com (Steve Knoblock) — Wed, 18 Nov 2009 19:43:00 +0000

We are raised in a culture that teaches us to always look for answers or winners. We are taught to expect the purpose of a question is to find the answer. We expect the goal of a game is to win. In Zen practice, students are given questions to ponder in the form of stories, called koans. I was taken aback when I realized the purpose of the koan was not to find an answer to the question, but to measure the progress the student has made in understanding zen. It was a shock, for this rational and scientific minded person, to consider there might be some other purpose to a question than to find the correct answer. Although one can find cheat sheets with common answers to zen koans, there may be no correct answer to a koan. The answer, although interesting, is not the important point of practicing with a koan.

A koan is a measure, just as for those who believe in 'fortuna' culture (a common belief among Virginia cavaliers was that each person was born with a certain amount of forunta or good luck, which could be modified by charms), games of chance are measures of how much fortune one possess. The aim of games of chance, such as dice, is to discover how one's own fortune measures up to the other players, not to win. Sometimes a zen student will supply a stock answer to a koan, but the experience is missed if you get the answer to a koan from a cheat sheet. A koan is there to help understanding. When Helen Keller learned the meaning of "water," she experienced a profound moment of realization, which ordinary children might never experience when learning the name for water. If she had used a cheat sheet, she would have only learned that water is water and not that cold, liquid on her hands was water, her understanding, if you could call it that, would have been divorced from experience.

It was a new concept for me to absorb, how people are interested in tests telling them something about themselves, measures of who they are, yet I should not have been surprised, since such quizzes are popular on Facebook, such as what are your guilty pleasures, what would you do if you could go back in time, what superpowers would you choose, and the ultimate question is probably How Well do you Know Me?

The new manuscript culture

noreply@blogger.com (Steve Knoblock) — Thu, 01 Oct 2009 18:32:00 +0000

In a 'manuscript' culture, the distinction between written and verbal text is not as sharp as it happens in a culture dependent on printing. It appears we are heading into a new era of manuscript culture as social networked content emerges and comes to dominate, as documents become conversations and conversations become documents. In a manuscript culture, such as the period in the West before the invention of movable type, or in China before printing became universal, manuscripts offered a 'more fluid transfer of information' where the copyist (think of 'retweeting' or sharing information socially), could make changes to the text, purposeful or inadvertent, could leave sections out or add new ones, combine with illustrations (as in illuminated manuscripts, perhaps similar to Storybird).

(References http://goodlifezen.com/wp-content/uploads/2007/11/the-road-to-nowhere.pdf)

What's wiki got to do with medicine?

noreply@blogger.com (Steve Knoblock) — Sat, 26 Sep 2009 17:54:00 +0000

The idea of cutting off blood flow to tumors and using 'diplomacy' to convince cancer cells to listen to the better angels of their nature are like the 'soft security' and 'human engineering' schemes used to protect wikis from vandalism. The run counter to the scorched earth policy of killing all cancer cells. But medicine is now looking to solutions in epigenetic therapy and other methods, which attempt to negotiate with disease instead of destroy it.

We're so used to locks and gates, slings and arrows, we forget other ways.

A useful poke

noreply@blogger.com (Steve Knoblock) — Sun, 06 Sep 2009 01:51:00 +0000

I am trying to use Facebook more. I do not have a lot of use for the "poke" tool, which seems a bit childish. I wonder if it would be good to use the Poke method for content? What if you sent someone a book you thought they should read or you wanted to discuss. Sent a link to an ebook? Then they didn't reply. You might poke them about that post of content, not just generally?

My hands are small, I know

noreply@blogger.com (Steve Knoblock) — Wed, 02 Sep 2009 00:13:00 +0000

My hands are small, I know
But they're not yours, they are my own
But they're not yours, they are my own
And I am never broken
--Jewel, Hands, Spirit

Twitter outage creates panic

noreply@blogger.com (Steve Knoblock) — Fri, 07 Aug 2009 17:41:00 +0000

According to CNN, the twitter outage left users feeling as if they had lost a limb or left home without their cell phone. It is suggested Twitter needs competition to provide alternatives when an outage occurs, as they inevitably will. There were (or are?) a couple of alternative social microblog services available (is jaiku still running?). Of course, this won't help if multiple sites get attacked at once.

What would help is Google Wave. This outage is an incredible opportunity to demonstrate the potential for resiliency a "federated" or distributed social media system has. Content in the Google Wave universe is independent. Every user can have a copy of a bundle of posts, comments, content on their own device. Multiple copies can exist on different servers. It could be possible for a group to continue working, or at least work offline with their content, during an outage and then when connection is reestablished, the changes can be merged back into the conversation. This is what we can do with email now. We can read messages in our inbox (as long as it is not webmail) even when the network is unavailable. We can keep messages around as long as we want. We can write draft replies, take notes, resuse content through quoting or editing the text we recieve and at any time later, forward to others or send the revisions back to the sender.

What did I do during the panic? I just waited for Twitter to come back up. I only post once a day (if I am feeling up to it).

You can't just put content behind a blank wall

noreply@blogger.com (Steve Knoblock) — Thu, 06 Aug 2009 22:16:00 +0000

I caught a discussion of Newscorp's new plan to get users to pay for online news content. It will be difficult to sell news online because there are so many fragmentary ways to get the news for free. If any scheme for getting online users to pay for news does work, it just has to be easy. No matter what news sources online do, they must make paying for the news easy and transparent like iTunes. As easy as putting a coin in a paper box at the corner bus stop. The pricing is not as important as convenience.

Also, the customer must have a feel for the worth of the content before they buy or they must get a cheap bulk subscription so the content is cheap enough to take the irrelevant, incomplete, incompetent or useless with the relevant, complete, competent and useful content. I hate sites that put up a poorly written summary and a login or subscription screen. It breaks the rhythm of navigation on the web when a link leads to nothing. It stops you cold and punishes the user for following a link. It would be a sad web of balkanized content with links as obstacles. If content is to be shuttered behind closed doors, it must be quick and easy to open those doors with some kind of universal pass like OpenID connected to a micropayment system.

It started me thinking again about how to get online users to pay for content again. You can't just put content behind a blank wall and expect it to work. No one will ever find it, be able to search for it, search engines index it. Its not enough to provide a meta data summary like a bibliographic catalog does. Meta data will never be the answer to our search problems, at least not as long as humans are responsible for providing it. Nearly everyone ignores meta data, fails to include it, or includes incomplete or incorrect meta data. Who is going to keep all this meta data up to date? No, this is unworkable. Meta data must be generated automatically from content and that is subject to a high error rate using current technology.

The solution google books provides gets much closer to a real solution to the problem of hidden content. Instead of trying to describe the content using faulty and hard to keep up meta data, why not grant access to a sample of content? This gets much closer to a successful model for selling content online. When I read a book in Google books I get a random sample of pages around my keywords. Each user received a custom sample of content tailored to their interests and needs. In my experience reading a few pages of a book without restriction, as I would in a bookstore, gives a feel for the content. I am more likely to buy the book if it proved useful repeatedly over several searches. Yes, sometimes I find what I want in the sample pages, but I generally bookmark the source, take down the title in my notes and will cite the source in any work derived from the information gleaned for "free" which is actually a fair exchange I think for citation and a link.

I do not understand the hostility and opposition to Google Boooks. I am willing to pay less but buy more books in electronic form for reference purposes. If I find an interesting book in google books but it is not one I would pay $30 for a hardback I would pay $10 to download to my book reader. If I have to pay $30 for one book, it is going to be the one I value most and need the information most, which I want to keep around for a lifetime, not a casual read or reference work.

There are books I would buy on the reader as convenient portable references. I would buy more ebooks at lower cost to fill out my "search space" of texts on my ebook reader. If a book adds to the information I have available on a subject but only partially or tangentially, I can't afford a $30 hardback, but I can afford three $9 works related to my subject to add to the search space on the reader

An idea I had a long time ago, when I was wondering how to pay for hosting my first website, was the "vanishing page" model. This would work a bit like PBS where content slowly disappears unless readers pay a small fee to keep it available. The individual reader does not pay for each content page, butsimilar to donations to PBS, a small number of readers or viewers pays for free access by others (this actually gives the donor a feeling of superiority, if it were not for me...). Mechanically, the web page would be publicly available to all readers and search engines but a count of page views would be kept. Each time the page is viewed the number of views or days left would be decremented by some amount. A button to make instant micro-payents would be displayed ok the page along with a thermometer displaying how close the page is to being removed from the site. If enough people donate, days (or credits, it could be a ratio of views to donations similar to bitorrent) are added to the life of the page, if not, it is replaced by a summary and a button to start donating again.

What we need are ingenious "social engineering" methods to get people to buy content online, similar to the ones used to manage "soft security" on wikis. We need soft methods, like Google Books, which gives readers a peek into books that might interest them.

Yoshihisa Maitani Dies At 76

noreply@blogger.com (Steve Knoblock) — Fri, 31 Jul 2009 17:28:00 +0000

The man behind the Olympus Pen cameras, the OM-1 and the XA, Yoshihisa Maitani died yesterday at age seventy six. He lived to see his Pen camera system reborn as the Pen Digital through the work and enthusiasm of a new generation of engineers. The new E-P1 is not an exercise in nostalgia but a camera that acknowledges its ancestry while breaking new ground with its mirrorless design, compact lenses and in-camera digital image processing.

This photograph of my OM-2n looks a bit like a shrine in light of today's news.

My original XA-2 bought circa 1986. A classic camera and novel industrial design from Maitani's hand.

The ugliest Twitter post yet?

noreply@blogger.com (Steve Knoblock) — Wed, 22 Jul 2009 20:29:00 +0000

New generation of farmers. RT @FMCorg: 40 farmers under 40 http://tr.im/tnjB (via @civileater via @ediblechicago)
about 22 hours ago from web

Things are getting ugly on Twitter. This tweet I posted to @farmfoody is more citation than message. It is filled with gibberish, the "retweet" code and the via's, the cryptic tiny url. Something will have to give and eventually meta data will find its way back to where it belongs, hidden somewhere outside of the message text in the message envelope.

Apologies from the Ministry of Information

noreply@blogger.com (Steve Knoblock) — Fri, 17 Jul 2009 21:34:00 +0000

"Dear citizen, we recently discovered a problem with an ebook that you have purchased, the photograph showing the Dear Leader shaking the hand of the former enemy president has been corrected to show the Dear Leader shaking the hand of our new friends. We apologize for the inconvenience." -- Ministry of Information, 2012

How long will it be before our digital content is "corrected" for our convenience, not just pulling books from our electronic readers in the middle of the night?

I bought a Kindle 2, but I returned it out of concerns my ebooks would not be my own books, in the way my paper books are my own books. I was concerned about what might happen to my hundreds of dollars of books stored on the Kindle if amazon went bankrupt. I worried that if the Kindle did not do well, they would shut down the DRM servers and my content would become inaccessible. So I sent it back (also it was a bit small screen and I wanted to loan it to my parents on occaison, who are elderly).

Today, I found in my Twitter stream an article in the New York Times: Some E-Books Are More Equal Than Others.

I never imagined this would be the start of an Orwellian world where content of the books I own is edited at the whim of a publisher or perhaps the government whenever a judgement is rendered in a lawsuit or a contract changes, or perhaps is misread and accidentally violated. We now enter the world of my cold war childhood, when it was common for Pravda to scrub undesirable persons from a photograph or restore them once they were rehabilitated, to change history to suit political circumstance on a daily basis.

What will it be next from the Ministry of Information in the world of Big Publishing, "correcting" our photographs according to the latest lawsuit or government edict?

HDR Chrome Effect in LightZone

noreply@blogger.com (Steve Knoblock) — Fri, 03 Jul 2009 01:28:00 +0000

An popular effect is the HDR, gritty, "chrome" look. After watching a video on the technique, I thought I'd give it a try in LightZone.

This look is achieved without actual HDR, but by contrast, local contrast and saturation adjustments.

The steps in LightZone involve dropping a number of tools on the stack and adjusting them, which is a different approach than Photoshop or Lightroom.

Drop a Hue/Saturation tool. Set Vibrance to 100.
Drop a Sharpen tool. Set Amount to 500 and Radius to 50, adjust until you get a "comic book" or "chrome" look (strong blacks, faded, three-dimensional pastel colors).
Drop a Zone Mapper tool. Define points at 2 steps down from white, 5 steps down from white and 4 or 5 steps up from black. Push the white point up to where it divides the top step in two, leave the middle point alone, pull the black point all the way done to keep contrast. Later, you can adjust the middle tone contrast by adjusting the middle point.
Drop another Hue/Saturation tool. Pull the Saturation slider back, reducing saturation until you like the effect.
You may choose to drop a Relight tool to adjust overall brightness and graininess, but you may want to zero the Detail slider or turn off the Sharpen tool and use the Detail adjustment instead.

So you do not have to go through all of these steps, I created the HDChrome style you can download for LightZone here to use as a starting point. Download the archive file, extract the .lzt file and save it to your LightZone templates folder and it will appear under Custom styles.

Reducing saturation gives an image the feeling of a drawing, as if an ink drawing has (or photograph) has been tinted. Starting with a pastel image, mostly gray with touches of color gives this result, if there is texture, this will become the "ink" part. If you start with a metal object, like a car or motorcycle, it can enhance the curves and create the appearance the metal has been chromed, and enhance already chromed parts.

Twitter as Attention Machine

noreply@blogger.com (Steve Knoblock) — Tue, 30 Jun 2009 22:39:00 +0000

I am reading On the Origin of Stories, a new book by Brian Boyd, which to make a long story short, draws conclusions from recent research into the mind and evolutionary psychology, that status is essentially attention (or at the very least attention is the currency of status). I can see how this applies to Twitter. The ability to 'favorite' another twitter's content is yet another way of bestowing attention. Twitter is an attention machine. When visiting a twitter's profile, being mentioned or retweeted in the stream of updates or being favorited are ways of gaining attention. A twitterer gains when a user with high attention favorites one of their tweets and more so, when they retweet.

Mixing Conversation and Story

noreply@blogger.com (Steve Knoblock) — Sun, 28 Jun 2009 00:44:00 +0000

I realize now the real problem I have been working on and off for ten years now is 'conversation' versus 'story', but particularly applicable to journalism. In a way, conversation and story are like oil and water, they do not like to mix. Yet, stories are filled with dialog, or conversations, so why is that journalistic stories cannot contain dialog? Well, when it is an interview, they do. So what we need is a network tool that seamlessly integrates conversation (interview, written dialog, transcript) with story (narrative, reportage, essay and analysis). It looks like Google Wave has the closest technology to achieving this flexible confluence of conversation and story, even the potential for our conversations and stories to be both mobile and distributed. If every smart phone adopted Google Wave, and given that it works similar to email, which mobile computing already provides and is a robust and well-known commodity service, it promises quick adoption avoiding any centralized monopoly.

I envision the same tool could be used by a reporter to do an interview (dialog) and for personal self-expression (dialog, like Twitter, only sharing little bits of information, such as links). An interview consists of dialog, little snippets of information associated by place and time. This has the form of Twitter messages, but a chat application is much better for doing an interview than Twitter, so some new mechanism must be created to accommodate flexible use, moving between story and conversation, between longer and shorter length posts, between collaborative and authored posts.

Turning off the data tap for Routesy

noreply@blogger.com (Steve Knoblock) — Sun, 28 Jun 2009 00:16:00 +0000

An interesting question about ownership and rights to data in public use has arisen, chronicled in Apple kills Routesy app, my iPhone gets less useful

Routesy is an iphone application using data provided by the municipal transit authority, through an agreement with a data provider. The details are in the article, if you care to read them.

I have to agree the company has a right to license predictive arrival times, since such information requires investment in research and development, formulating predictive algorithms and such information does not meet the requirement of being "obvious" and thus non-proprietary.

However, the ultimate solution would be an application that took GPS data from every iphone riding the metro at any given moment, if it can be identified as to which bus it is, then do the same kind of approximate arrival time calculations NextBus does, only through peer-to-peer networked computation. Let all the iphones on the bus line find their own position, communicate with each other, track the movement of buses, compare to published schedule and then present the approximate times to the riders. A distributed system of self-analysis. Since all iphones would be held in private hands, and the data shared between peers, who agree to participate by sharing data on their location, the data would be owned by no one. Each person would own their own location and decide whether or not to share it.

Google Wave and Portable Social Media

noreply@blogger.com (Steve Knoblock) — Sun, 31 May 2009 00:30:00 +0000

A quick observation about Google Wave.

I wrote some time ago about the problem of social media losing its social context as it moves around the digital universe. I thought some mechanism should be created to enable the social context pertaining to a unit of social media to be portable, so it moves along with it. It appears that Google Wave associates the people who pertain to a document (the authors, editors, people with access to view or edit the content, etc.) with the content in a portable way, through its "wavelets" concept.

It seems possible to share or transfer a piece of collaboratively authored content across the Wave system and into other systems with its social context intact. If so, this is a revolutionary step in the evolution of information technology. It gets my vote as the first technology I've seen that truly could be called Web 3.0, as far as I'm concerned.

It would only be right, if you downloaded a image from such a Wave based system to your pc, that it would somehow preserve the social context, perhaps with XML sidecar or embedded meta data, like the EXIF standard for photographs. The content could be uploaded back into a Wave ecosystem with its social context intact, possibly even after local edits.

Is Your Life Poetry or Nihilism?

noreply@blogger.com (Steve Knoblock) — Thu, 28 May 2009 00:20:00 +0000

ReadWriteWeb asks this question. Poetry is reflective. Journalism also should be reflective (if all journalism were like C-SPAN, we would be better off for it). I am sure we could and perhaps will find ways to mine activity feeds for patterns and other useful information. It may find uses in many fields and places in life, perhaps even in medicine. But the real reason why there is so little reflection on the web is simply because the structures and tools of the web encourage shallow interaction, quick posts, short content, quick reads, quick writes. This is an area I've given some thought to and posted to the blog about it.

What is required is not some new gizmo for finding patterns in bits of trivial data, but tools that encourage people to slow down, to be reflective and create meaningful content. My idea presented here has been of a "quick-slow" system. This system would recognize the importance of brief, concise posts when things are happening (like you've just landed safely in an aircraft with the landing gear stuck and want to tell your friends or the world) and longer, slower, more reflective posts. This system would allow users to post concise messages like Twitter does, but those messages could be expanded on, by expanding the text or by associating longer texts with them. The idea is not entirely new. About ten years ago, I played with a prototype application trying to combine blog and wiki elements. Later, I discovered a more successful project to combine blog and wiki, and an application exists called a bliki.

What I propose is a system like Twitter, which retains its immediacy through a connection to text messaging (cell phones) and the "stream of concise posts" format, yet also provides a way to extend those posts in a meaningful way. Perhaps a user's followers could be allowed to edit the extended content, creating a community of editors and contributors.

What we really need is to encourage people who grew up "network native" to slow down and think before the write, or at the very least, if they have to capture an event or thought with quick, impressionist strokes, they or others should be able to return later after reflection to revise. A kind of "slow news" for journalism, akin to the slow foods movement, asking people to sit down and think a while before they write. This may be asking too much for journalism, but a quick-slow approach could support both quick impressions (what's new) and reflection (analysis). Moreover, this could support a collaborative approach that mixes reportage (the initial concise post, possibly with a picture) and analysis (the associated post, perhaps by an analyst).

The poet Basho revised his haiku many times over the years, sometimes refining the wording and other times he would write a new poem, depicting the same experience from a different aspect. This kind of revision and reflection should be encouraged and supported by technology. Haiku are an ideal model. Brief, concise, experiential, yet through juxtaposition and the many hours of careful writing, they convey higher truths.

I see a number of people writing on Twitter in haiku form, quite a few who are just arranging prose in haiku form and really have no understanding of haiku as an art form (poetry has to say something to be poetry, and say it in a way that affects us). I want to be clear, there is a new form of haiku practice emerging on Twitter, which is akin to the the impressionist movement in painting, where haiku are written on the spot and posted to Twitter from a cell phone. This is a new development in haiku, since most haiku are written down long after the poet has left the place of experience (not always, Basho sometimes wrote haiku and left them behind, but nearly all the haiku that reach us were probably revised many times long after he had visited the location). It bears watching.

Something Must Be Going On

noreply@blogger.com (Steve Knoblock) — Sat, 23 May 2009 20:32:00 +0000

The heart of OCD is a feeling of "not being right" or repeating a ritual until it "feels right." A creative mathematician experiences intuition as a feeling there is "something going on here but I don't know what it is" according to William Byers in How Mathematicians Think. You were probably taught in high school that mathematics is a rigorous and logical endeavor and that for every mathematical principle there is a proof. It was implied to you that mathematicians seek out new principles by following threads of logic from an existing proof to a new proof. You were taught a myth. Most mathematical breakthroughs began with an intuition. Only later, after the instruction was explored well enough to believe it was true, to believe it was worth proving, perhaps even after it was proved to the satisfaction of the mathematician was an "official" proof created for the record. Proof comes after the fact, not before it. An interesting relationship between obsessive compulsive disorder and mathematics.

Moreover, instruction plays a vital role in creative mathematics. Just as in other creative arts, a shift of frame is required to turn the ordinary into the novel. The author relates the story of how he along with fellow mathematician John McKay noticed something curious about a single number. If you express adding one to 196884 as an equation you get 196884 = 196884 + 1. On the surface, it hardly seems worth the interest of a mathematician. You can add one to any integer on to infinity, something obvious to even non-mathematicians. What is so fascinatingly curious about this instance? As Byers writes, "...these are not just any two numbers. They are significant mathematical constants that are found in two different areas of mathematics." The relationship of the constants could not be a coincidence, thought McKay, who began a line of inquiry leading to a series of conjectures, which went under the fanciful but telling name of "monstrous moonshine." I want to linger a moment on this point. Here we have a mathematician who sees something curious, which prompts a "gut feeling" something systematic must be going on, a suggestion there may be a relationship between two systems of mathematics, who starts inquiring into the possibility, and as he finds more support for the reality of the intuition, he begins to make conjectures about how the two systems might be connected through the curiosity he discovered. At this point, we can hardly blame a mathematician for feeling he was chasing "moonshine." But that is exactly what creative people do. They chase moonshine and rainbows. Yet, somehow they end up driving the process of scientific rational, mathematical and artistic discovery. McKay's conjectures were later proved.

Byers does relate mathematical creativity to artistic creativity, observing good mathematicians (the creative ones) are very sensitive to the feeling of something going on, and ties mathematical intuition to the poet's, quoting the poet Denise Levertov saying "You can smell a poem before you see it."

This is all a blow to anyone raised on the rhetoric of rationalism. The human mind is a reasoning machine. Human beings are rational actors seeking the most efficient path. This ought to be nonsense to any carnival barker or snake oil salesman, but for most educated people it is a conceit they sustain because they enjoy the belief they are rational. Reason has become a virtue and virtues cannot be questioned.

At the bottom of human irrationality may be rational decisions, observations, the machinery of the mind is not metaphysical, but the abstract layers above the fine grain of deterministic reasoning are irrational. The mind is connected to a body. People get "gut feelings" as their mind tries to tell itself something from its emotional, pattern recognizing centers. How else could the pattern recognizing centers of the brain communicate with this supremely rational being, other than by kicking it in the gut?

I take away from this you will not be a creative scientist, mathematician or musician unless you learn to use your intuition. Exercise your curiosity. Keep a childlike sense of astonishment about the world around you or the inner worlds you explore. Experiment. Follow instruction. Don't worry about the result, the path to a Nobel prize in mathematics is not by seeking that which is likely to win a prize, but by following up an intuition, seeing where the thread will lead, without any thought to where it will go, other than to satisfy curiosity and that feeling of something must be going on.

New Tools for Men of Letters (or Not)

noreply@blogger.com (Steve Knoblock) — Thu, 21 May 2009 19:26:00 +0000

"The art of conversation, with its counterpart the dialogue as a literary form for presenting ideas, has also declined since the days of Galileo, while the art of advertising has advanced. Advertising is easily recognized as the literary form that most completely responds to the technique of the printing press, because it demands, above all else, a numerous and receptive "public" of readers."
New Tools for Men of Letters
The Yale Review, Spring 1935.

Sounds a lot like Twitter, does it not? The success of Twitter is largely due (as has been generally true of web services) because of the possibilities inherent in the medium for promotion and self-promotion, or advertising. Now, since helping independent farms survive is another fascination of mine, I believe using Twitter for self-promotion may be beneficial, but it is important to recognize how much our tools are influenced by advertising. Also, it is important to note how technology shapes culture. Technology often defines what is possible in art or culture, and then shapes its direction and expression (think of the woodcut or electric guitar and the idioms of graphic art and music that sprang from the technology). So Twitter is not always good for us, like eating too much cake, because it is a medium that "demands ... a numerous and receptive 'public' of readers" and authors that meet the demand. Of course, all good authors keep the audience in mind while they write, but Twitter and concise social messaging systems orient our writing and conversation toward the jangle of advertising.

We hear a lot of talk about conversation on the web, but there it seems very lacking in real conversation. I learned recently that Ward Cunningham when he originally envisioned the wiki, believed people would begin with conversation and then shape the results into an article, which would then be refined collaboratively. As it turned out, authorship on most wikis occurs in reverse, with articles being started then shaped by conversation (if we are lucky).

Ever since I made my first foray into the world of networked content and community, starting with bulletin boards and then moving onto the web, I have been fascinated by the idea of capturing expertise and knowledge "lost" in conversations. Forums, discussion groups, bulletin boards, message systems, all formats for conversation are ephemeral. When a person asks a question on a help forum, the answers they receive are generally lost. The web made it possible to ask a search engine a question and bring up one of these threads of conversation archiving knowledge.

Much of the knowledge of experts falls into the category of "folk wisdom" or "folk knowledge." This may upset some rationalists who believe all knowledge is found in books, which are the mechanisms that "separate us from the medieval" by storing knowledge without the requirement of memory. The reality is that many of the solutions for common problems coders face on a daily basis are not written down in books. A book is generally written by an academic about generalities or abstract theories. Or it is a technical cookbook about a particular language or technology. Many of the solutions for little quirks, bugs and problems solved with little tricks or algorithms are passed from one coder to another by oral tradition, sharing code, looking at other people's code or in forums. Coding is not the only professional or practice that this process occurs within, but serves as an example.

One of the great problems of the web is how to capture the knowledge being generated by this process of dialog about small problems. It is a Long Tail problem. It is a "exponential" problem because it consists of very small parts that add up to a larger whole, which exercise a large influence over our life (think of software controlling aircraft of a medical robot). It does not just apply to coding, but to any knowledge.

Not only would it be good to capture this knowledge in a better way than just stumbling on a solution in a forum or blog post, it might prove beneficial to author a work "conversation first," like the old carpenter's adage to measure twice, cut once (of course, real carpenters use a template but that is another story) .

In a way, Twitter achieves the conversation part, but as I've observed before, lacks the means to capture the essence of a valuable conversation (other than favorite tweets). What could be a first step would be to allow favorite tweets to be organized by tag and the browsed like a social bookmarking site. The better solution would be to enable Twitter users to create a wiki page for extending the thought or observation in the tweet collaboratively, perhaps allowing followers to edit the content. That is the idea I will be working on, if I can get some time away from farmfoody.org and folkstreams.net activities.